Yes, there is a connection between the art movement known as Fluxus and Buddhism, particularly the concept of impermanence.
Fluxus was an avant-garde art movement that emerged in the 1960s, which was influenced by a range of sources, including Zen Buddhism, Dadaism, and other avant-garde movements. One of the central tenets of Fluxus was the idea of impermanence and ephemerality, which reflected the Buddhist concept of impermanence. Fluxus artists created works that were often temporary, fleeting, or meant to be experienced in the moment, rather than preserved for posterity.
For example, the Fluxus artist Yoko Ono's "Instruction Paintings" series often consisted of instructions for the viewer to carry out a simple action, such as "Imagine the sky is a solid color" or "Listen to the sound of the earth turning". These instructions were meant to be experienced in the moment and then forgotten, embodying the idea of impermanence.
Fluxus artists also often rejected the notion of the "art object" as a commodity, and instead created works that were intended to be accessible and participatory. This emphasis on process and experience over materiality was in keeping with Buddhist teachings on impermanence and non-attachment.
In sum, Fluxus art movement, which emphasized the transience and ephemerality of art, can be seen as influenced by the Buddhist concept of impermanence.
Fluxus was an avant-garde art movement that emerged in the 1960s, which was influenced by a range of sources, including Zen Buddhism, Dadaism, and other avant-garde movements. One of the central tenets of Fluxus was the idea of impermanence and ephemerality, which reflected the Buddhist concept of impermanence. Fluxus artists created works that were often temporary, fleeting, or meant to be experienced in the moment, rather than preserved for posterity.
For example, the Fluxus artist Yoko Ono's "Instruction Paintings" series often consisted of instructions for the viewer to carry out a simple action, such as "Imagine the sky is a solid color" or "Listen to the sound of the earth turning". These instructions were meant to be experienced in the moment and then forgotten, embodying the idea of impermanence.
Fluxus artists also often rejected the notion of the "art object" as a commodity, and instead created works that were intended to be accessible and participatory. This emphasis on process and experience over materiality was in keeping with Buddhist teachings on impermanence and non-attachment.
In sum, Fluxus art movement, which emphasized the transience and ephemerality of art, can be seen as influenced by the Buddhist concept of impermanence.
